![]() ![]() as much as possible is his business theory. So maybe just remove out some mids and bass from your sound. The sd's are a formidable set of pickups, you'll have MORE tone than the metallica guys with those pickups. The White Explorer was made in 1984, and was 'cream white' with no pickguard and the 3-way switch near the volume/tone controls instead of on the tip of the sticking out part. What you actually need is a DSL cause that amp has the ablity to change the sound of the gibson into the sound like a EMG 81. If not, just put everything on max, except volume. If you've got the old gibson pickup, put that back in. Unfortunitely the SD pickup will sound slightly strange in comparison. ![]() so no those speakers are vintage 30 types it seems. I used one of my ENGL Savage presets for the main guitar tone. KEA has the sound of greenback types of speaker and NON greenbacks, but RTL doesn't have the warm greenbacks. Its the classic Metallica album opener with the mellow/melodic intro before unleashing into the thrash anthem that it is. If it's the difference between the stock marshall and a modded marshall.īut the marshall sound on this recording, in my opinion is the difference between the 2 marshall sounds on KEA and RTL. To my ears there's 2 distinct sounds on the album and 1 sound is burried deliberately for later on in the album song list. Unless the difference in tone is the difference between celestion speakers which were in use at the time. Amps Settings The pair began to experiment with different amp settings during this time period, but a good general setting for most songs would be: Gain 7 Bass 6 Mid 3 Treb 7 Again, for clean leads, a little less gain would be appropriate. If it does not have presence or depth controls, you can ignore them. Your amplifier will need to be able to pull off a saturated high-gain sound for these settings to work. ![]() Track 4 is the first marshall sound on the album. Some common settings to get a saturated tone like Metallica’s would be: Gain: 8. ![]()
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